The landscape of international television is shifting, and if the latest finalists from the Content Americas Copro Pitch are any indication, the future looks surprisingly bright—even when it involves demons. Among a slate of projects traditionally dominated by gritty narco-dramas and historical epics, a new wave of "feel-good" content is making waves. However, for those of us at ScreamDesk who prefer our laughter with a side of the supernatural, one title stands out above the rest: Sexorcism.
A New Era for Latin American Genre-Bending
Announced via Variety TV on January 20, 2026, the Content Americas Copro Pitch has unveiled six finalists that showcase the diversity of the Latin American and international market. While three of the projects—Dr. Sex, José Piedra, a Guy With Bad Luck, and Sexorcism—are being billed as uplifting comedies or "dramedies," the latter suggests a fascinating intersection of horror tropes and heart. This shift indicates that creators are looking for ways to subvert expectations, using the supernatural as a lens for human connection and second chances.
Historically, Latin American horror has leaned heavily into folk horror or deep-seated religious dread. Seeing a project like Sexorcism emerge in a "feel-good" pitch session suggests a maturing of the market where genre elements are used to explore more relatable, lighthearted themes without losing the edge that horror-verified fans crave. It’s a delicate balance that shows like What We Do in the Shadows have mastered, and it’s thrilling to see this energy translated through a fresh regional lens.
Beyond the Possession: The Pitch Finalists
While Sexorcism is the clear standout for the genre crowd, it isn’t the only project pushing boundaries. The pitch finalists also include an Icelandic narco caper and a "Bogota Noir" entry, proving that the appetite for darker, high-stakes storytelling remains strong. The inclusion of Pioneers, a humor-laced real-life chronicle, further emphasizes that the industry is moving toward a "dramedy-plus" model—stories that have a strong emotional core but aren’t afraid to lean into the absurd or the terrifying.
For horror fans, Sexorcism represents a potential bridge between mainstream appeal and cult genre interests. The "feel-good" descriptor might sound counterintuitive to those used to the visceral scares of modern possession films, but the "second chance" narrative structure mentioned by the pitch selectors implies a story about redemption. Could we be looking at a story where an exorcist finds a new lease on life? Or perhaps a ghost story where the haunting is a catalyst for personal growth? The possibilities for subverting the "possession" subgenre are endless.
Why the Copro Pitch Matters for Global Horror
Co-production pitches like the one at Content Americas are vital for the survival of high-concept genre television. By securing international partners early, projects like Sexorcism can achieve the production values necessary to compete on a global scale. In an era where streaming platforms are hungry for local stories with universal themes, the horror-comedy niche is a goldmine. It allows for social commentary and character development while maintaining the visual flair that only the supernatural can provide.
As we monitor the development of these six finalists, the horror community should stay tuned. While the focus this year seems to be on "uplifting" content, the history of cinema tells us that some of the best comedies are born from our darkest fears. Whether Sexorcism leans more into the "sex" or the "exorcism," its presence in the finals is a testament to the evolving tastes of global audiences and the enduring power of the macabre—even when it's trying to make us smile.