Reincarnation

• Despite what a single-protagonist framing might suggest, Blood Reincarnation is a three-story anthology stitched together by Chinese superstition rather than one continuous plot — a treasure-murder gone wrong, an adultery cover-up that won't stay buried, and a wrongly executed man's ghostly comeback.
• Director Ting Shan-Hsi wasn't dabbling in horror as a one-off: three years before making this film he won the Golden Horse Award (Taiwan's top film honor) for Best Director for The Ammunition Hunters (1971), and he went on to direct several more horror titles, including The Tormentor (1973), The Seven Coffins (1975), and The Revenge Ghost of the Tree (1988).
• The film had its Hong Kong release on October 30, 1974, and runs 98 minutes.
• Ting worked across both the Taiwan and Hong Kong film industries over a career spanning more than 50 films in the 1970s and '80s, moving between horror, war epics, and action.
• The cast includes recognizable Hong Kong genre players of the era, among them Kenneth Tsang and Dean Shek Tin.

Read together, the three stories form a ladder of escalating culpability — accidental cruelty (bones mistaken for treasure), calculated betrayal (the adulterous couple), and outright judicial murder (the wrongful execution) — with the punishment scaling to match: a monstrous infant, an undisposable corpse, and a ghost with days to spend however he likes.

The killer newborn in the first segment reads like karma arriving before the crime even finishes — the child isn't reincarnated vengeance so much as violence begetting violence in real time, skipping the usual afterlife detour.

The wrongly executed man in the final segment doesn't come back enraged at his accusers so much as focused on finishing his work — a quieter argument that the film's real fear isn't ghosts, it's injustice that outlives the body meant to carry it.

Blood Reincarnation (1974) is a three-story Hong Kong horror anthology directed by Ting Shan-Hsi, built from classic Chinese ghost-story superstition rather than one continuous plot. In the first segment, a man and his pregnant wife murder an old woman for a buried pot they're sure holds treasure — it holds only bones — and when the wife goes into labor over the corpse, the newborn arrives vicious enough to bite off his own father's finger. The second story follows an adulterous wife and her lover, who nail her husband into a box after killing him and can't get rid of the body cleanly no matter what they try. The third and longest segment centers on a man wrongly executed for a murder he didn't commit, who uses a "blood reincarnation" spell to return as a ghost for several days and settle his unfinished business before his borrowed time runs out. Across all three, karma isn't comfort — it's collections.