The Wolf House

• The film took five years to make, with directors Joaquín Cociña and Cristóbal León hand-animating almost all of it themselves using paint, paper, tape, and found objects — no digital shortcuts.
• Instead of hiding away in one closed studio, the team built and destroyed the sets as a live, evolving art exhibition, staged inside museums and galleries in Santiago, Amsterdam, and Hamburg while the public watched the film get made.
• Funding came from Chile's Fund for Film Project Development and FONDART (the National Council of Culture and the Arts) — the production doubled as gallery installations, which made it eligible for both film and art subsidies.
• The story is inspired by real survivor accounts from Colonia Dignidad, the German-run cult colony used to torture and disappear people under Pinochet, though the film never says the name on screen — it calls the place only "the Colony."
• There are just two voice actors in the whole film: Amalia Kassai voices María and both pigs-turned-humans, Ana and Pedro, while Rainer Krause voices both the sect leader and the Wolf, switching between Spanish and German.
• The film premiered at the Berlin International Film Festival in February 2018 and later won the Jury Distinction at the Annecy International Animation Film Festival.

The shifting animation styles represent María's fracturing memory, where the degradation of the paper house mirrors the erosion of her identity under psychological control.

The Wolf and the Pigs are not external monsters but projected avatars of the commune leaders, manifesting physically only when María's fear reaches a critical mass — a reading the film itself hints at by having the same actor voice both the sect leader and the Wolf.

The entire narrative is a looped recording of a brainwashing session, with the house resetting every time the subject nearly achieves lucidity or escape.

Punished and cast out from an isolated colony in the Chilean wilderness, María flees through the woods with a wolf hunting her heels and takes shelter in an abandoned house that bends itself to her every wish. Two pigs inside transform into human companions she names Ana and Pedro, and for a while the house gives her the family and safety she's never had. But the walls are built from paint, paper, and rot, and the animation itself warps and dissolves right along with the illusion. As the food runs out, Ana and Pedro turn hungry and hostile, tying María down when she realizes the sanctuary she built is about to consume her. The nightmare only breaks when the Wolf she fled at the start comes back and kills them to save her — and the whole fractured fairy tale plays like a piece of propaganda cooked up by the cult itself, urging its "little pigs" in the audience to come home.